What is the mode and notion of tonalities

The concept of what is harmony and tonality,initially assumes an inseparable connection with the construction of scales and basic notes that are present in them. It is necessary to make a difference between harmony and tonality, since the mode refers to a broader concept, from the understanding of which the principles of building the basic scales follow.

Basic frets

If we talk about what is a mode in the verya broad understanding of this word, it is worth noting that the most common are the major and minor. From the point of view of the theory of music, there are quite a few other kinds of frets, in the scales of which there are elevated or lowered levels. The process of using such operations can lead to the most unexpected results. That there are only oriental frets, using not even seven basic notes, but as many as twelve. Just the fret and tonality in this case are based not on halftones, but on intervals of a quarter of a tone. Hence the always recognizable sound of oriental music. The very same harmony, music, scales and harmonies are inextricably linked.

Stable and unstable notes

In either mode and gamma, the samethe principle associated with the basic notes and steps. There is the notion of stable and unstable notes. Steady steps are the first, fourth and fifth. All the rest are unstable. They are called so only because they are striving for resolution. So, for example, in the scale "C-major" the second note "re" tends to resolution in the note "before". Also, the "si" note also tends to resolve in a note "to", which plays the role of tonics. Accordingly, other unstable notes have their own principles of resolution.

Tones and principles of their construction

As you know, there are three maina variety of tonalities. In this respect, what is a harmony can be said, based on key signs. There are only two keys that do not contain signs in the key. This is "C-major" and "A-minor". All other keys and scales contain sharps and flat. Hence their names - sharp and flat. Lad, music and basic harmony are built on this principle.

As for the principles of constructing scales,musical harmony is like a sequence of notes played in a certain way with the use of basic or additional signs of alteration. Naturally, you need to pay attention to the signs in the key, as well as the type of executable mode (natural, harmonic or melodic).

Intervals

In understanding what is a harmony, one ofkey issues can be called not only the use of principles for the construction of gamma, but also the intervals present in it between all levels. All notes are separated by intervals, called tones and semitones. The intervals in the gamma or fret are themselves constructed taking into account the key signs of the musical alteration. This approach is typical for all gamuts. Ascending intervals are distributed as follows: prima, second, third, quarter, quint, sext, and octave. After an octave, a Decimus follows, but in the base case, intervals outside the octave are not considered. All intervals can be clean, reduced or enlarged. Clean in its original form are only a quarter, quint and octave, although the first two intervals in the form of characteristic can vary.

Intervals, as well as scale steps, also havestability and seek resolution. On the basis of intervals, triads and chords are constructed, in which resolution is also provided. As is known, the main tune and scale are the first, fourth and fifth stage, which made the construction of the major triads and chords. In this case, do not pay attention only to them. Using other steps, including further higher or lower in the case of harmonic or melodic scales, you can find no less interesting chords or arpeggio sequence.

Interesting in this respect are the characteristicintervals. This is an enlarged quarter and a reduced fifth. On a musical camp they are designated differently, although they are perceived on hearing with absolutely identical sound. But even by ear you can determine which interval is sounding at the moment, but for this you need to pay attention to the resolution.

In any case, as they say, there is onlyshow a little imagination to get a unique and nothing like a musical material. In principle, it is not necessary to know the theory of music very deeply for this.