What is a musical image or how to create your own world of emotions

Scientists around the world are trying to give scientifican exhaustive answer to questions about the origin of the object-visual perception of music and the existence of an invisible boundary between the reality of sounds and the illusion of meaning. Such a study can be compared to the eternal quest for higher intelligence, but it is necessary to begin with an understanding of the nature of the emergence of the musical image in the composition.

What is a musical image?

It is an intangible character of the composition, which absorbed a bunch of sounds, thoughts of the composer, performers and listeners into a single energy center without time and a landmark of real space.

The whole composition is a streamsensual intonations accompanying the most diverse emotions and actions of the heroes of her story. Their combination, consistency and contradictions create an image of the composition, revealing the boundaries of the spiritual world of man and expanding the boundaries of self-knowledge. The creation of a musical image in music reflects a palette of feelings and emotional experiences, philosophical reflections and an enthusiastic attitude to the beautiful.

The Wonderful World of Musical Images

If the composer draws an early morning, he createsmusical images in music, offering the audience to experience the dawn, the sky in blurry clouds, the awakening of birds and beasts. At this time, the dark hall, filled with sounds, instantly changes its scenery to the projection of the morning landscape of endless fields and forests.

The soul of the listener rejoices, emotions overwhelm theirfreshness and spontaneity. And all because the composer, when creating the melody, used sounds, their intonation, certain musical instruments, capable of orienting human memory to such sensations of sounds. The sounds of a bell, a shepherd's flute or cocks of cocks fill the associative image of the melody so much that the time of action in the composition leaves no doubt - the morning. In this case, there are constant, predictable associations.

What is the musical image of lightning, triedexplained I. Haydn, Glinka, Verdi, R. Strauss, and N. A. Rimsky-Korsakov spent much effort on creating a musical image of light phenomena in music. The sound increase was used for light and atmospheric images, and the depths of the earth were given low sounds, maintaining a logical juxtaposition of low and high in art and in real life.

Random associations of musical image

There are also random associations thatunpredictable and strictly individual for each person, as well as his life experience. These are smells, mood features, atypical lighting, a combination of circumstances at the time of listening and much more. One association always provokes another, saturating the musical image with additional details, imparts a unique, deeply personal character to the entire composition.

Associations created as a result of listeningmusic, have their age and relevance. That is why the real-pictorial music of past centuries gradually turns into a formal, more abstract music of our time. Specific graphic associations are becoming obsolete. Thus, the compositions of Mozart or Bach do not evoke in the soul of the contemporary listener those images that were characteristic of their contemporaries. To answer the question what is the musical image in modern music is not easy. Electronic sounds have long replaced the living, but would have been completely alien to musicians of the time of Tchaikovsky and Beethoven.

Lyrical images in music

What is lyrical images in music, goodknow Russian classics. In 1840, Glinka wrote a romance for verses by the great Russian poet Alexander Pushkin "I remember a wonderful moment". The composer created images of a fascinating moment: a memory of the first minutes of acquaintance, the bitterness of parting with a loved one and the joy of a new meeting. A weightless melody first flows smoothly, pouring out with gentle motives, and suddenly interrupted by an unstable syncopated rhythm.

Rhythmic accents, expressive repetitions andthe energy of the "progressive" rhythm of the middle section so vividly reflected the effects of the poetic syllable that the famous poems of the enamored poet acquired more vivid, sensual emotions that amaze with their depth and residual action.

In turn, a trembling love for CatherineErmolaevna Kern and the profound experiences that accompanied this relationship created a unique work of spectacular contrasts, flexible options and intonations and uncovered new little-studied possibilities for creating an associative series in a musical work and its images.

What is the musical image in the romance? This is an excited speech that reveals the mystery of the experiences of the beloved and makes the listener a witness, accomplice, and even the hero-lover, immersing himself in a world of ambiguous feelings and secret fears.

A talented romance singer merges withthe image of the lyrical hero, as once with him was Pushkin and Glinka, and the invisible trio embraces all the sensory organs of the listener, seizes his imagination and one energy flow pours into him the spiritual impulse of love and beauty of the experiences of suffering.

"All the arts, like music, require feelings,which brings inspiration - said Glinka. - And forms. What is harmony, and "forme" beauty? the proportionality of the formation of a harmonious whole ... Feeling and form are the soul and body. The first is the gift of supreme grace, the second is acquired by labor ... "